
Don’t publish standards for artistic excellence, durability, or context fit. Let taste and politics decide.
Outcome: A collection that can’t be defended when anyone asks, “Why this?”
Offer $5,000–$10,000 for a permanent sculpture in a signature public space. Maybe a breakout star will work for free publicity!
Outcome: Guarantees inexperienced local submissions, stresses administrators, and signals the city isn’t serious about quality.
New panel, new rules. Institutional memory? Overrated.
Outcome: Artists and funders walk away, leaving only insiders willing to gamble.
No conservation funding, no plan, no problem. Rust is a patina, right?
Outcome: Within 20 years, your public art collection looks like a scrapyard.
Treat public art like Little League—locals only! Never mind if the scale requires international expertise.
Outcome: A parochial collection that can’t match the quality of your own buildings or infrastructure.
Let panelists “free range” in selection meetings. Who needs criteria or facilitation?
Outcome: Subjective distortions, indefensible records, and liability if challenged.
Use RFPs instead of RFQs. Demand that artists surrender intellectual property. Make the process as hostile as possible.
Outcome: Experienced professionals vanish. Only the uninitiated apply.
Do an online survey, tally the votes, and call it “community engagement.” Avoid real conversations where people actually hear each other.
Outcome: Shallow input, entrenched biases, and lost chances to build civic consensus.
Commission dozens of small, underfunded projects instead of a few transformative works.
Outcome: A cluttered public realm where nothing matters and everything ages badly.
Two weeks to apply! That way, top-tier artists with heavy workloads can’t respond. Efficient!
Outcome: A shrunken applicant pool and lower overall quality.
Add it at the end of a streetscape project—just plop something in.
Outcome: Forgettable art that neither integrates with nor elevates its surroundings.
Panels without artists, architects, conservators, or curators. “I like art” is all the qualification needed.
Outcome: Poorly sited, badly fabricated works that age into liabilities.
Let projects pop up opportunistically. Who needs long-term vision?
Outcome: A disjointed collection that tells no story and lacks coherence.
Once a piece is in, it’s forever, no matter how damaged or embarrassing.
Outcome: Sub-threshold works drag down high-threshold districts for decades.
Fight over turf, funding, and credit. Partnerships are overrated.
Outcome: A fractured ecosystem, duplication of effort, and weaker art across the board.
Follow these popular practices and you’ll earn:
Don’t publish standards for artistic excellence, durability, or context fit. Let taste and politics decide.
Outcome: A collection that can’t be defended when anyone asks, “Why this?”
Offer $5,000–$10,000 for a permanent sculpture in a signature public space. Maybe a breakout star will work for free publicity!
Outcome: Guarantees inexperienced local submissions, stresses administrators, and signals the city isn’t serious about quality.
New panel, new rules. Institutional memory? Overrated.
Outcome: Artists and funders walk away, leaving only insiders willing to gamble.
No conservation funding, no plan, no problem. Rust is a patina, right?
Outcome: Within 20 years, your public art collection looks like a scrapyard.
Treat public art like Little League—locals only! Never mind if the scale requires international expertise.
Outcome: A parochial collection that can’t match the quality of your own buildings or infrastructure.
Let panelists “free range” in selection meetings. Who needs criteria or facilitation?
Outcome: Subjective distortions, indefensible records, and liability if challenged.
Use RFPs instead of RFQs. Demand that artists surrender intellectual property. Make the process as hostile as possible.
Outcome: Experienced professionals vanish. Only the uninitiated apply.
Do an online survey, tally the votes, and call it “community engagement.” Avoid real conversations where people actually hear each other.
Outcome: Shallow input, entrenched biases, and lost chances to build civic consensus.
Commission dozens of small, underfunded projects instead of a few transformative works.
Outcome: A cluttered public realm where nothing matters and everything ages badly.
Two weeks to apply! That way, top-tier artists with heavy workloads can’t respond. Efficient!
Outcome: A shrunken applicant pool and lower overall quality.
Add it at the end of a streetscape project—just plop something in.
Outcome: Forgettable art that neither integrates with nor elevates its surroundings.
Panels without artists, architects, conservators, or curators. “I like art” is all the qualification needed.
Outcome: Poorly sited, badly fabricated works that age into liabilities.
Let projects pop up opportunistically. Who needs long-term vision?
Outcome: A disjointed collection that tells no story and lacks coherence.
Once a piece is in, it’s forever, no matter how damaged or embarrassing.
Outcome: Sub-threshold works drag down high-threshold districts for decades.
Fight over turf, funding, and credit. Partnerships are overrated.
Outcome: A fractured ecosystem, duplication of effort, and weaker art across the board.
Follow these popular practices and you’ll earn: